What a Second AD Actually Does on Set
A great Second AD is the operational engine between the First AD and the rest of the crew and cast. While the First AD focuses on the floor and the shot at hand, the Second AD is running the background, managing talent logistics, distributing call sheets, tracking extras, and making sure everything behind the scenes is organized so the First AD never has to look up from the camera.
- Prepares and distributes the daily call sheet after the First AD signs off
- Manages background performers, including check-in, holding, and movement to set
- Coordinates with the cast trailer area, hair, makeup, and wardrobe to keep actors on schedule
- Maintains the daily production report alongside the script supervisor
- Acts as a communication hub between departments, the AD team, and the production office
- Supports the First AD during complex crowd scenes or multi-unit days
What to Look for When Hiring a Second AD in Los Angeles
Los Angeles productions move fast, and a Second AD who has worked on union sets in the area will already know the rhythms of a DGA-covered shoot. That said, experience level matters more than union status alone. Look for candidates who can show a track record of call sheets from projects similar in scale to yours, strong references from First ADs or UPMs, and the kind of calm, organized energy that holds up under a 14-hour day.
For union productions, your Second AD will typically need to be a DGA member or on the DGA qualification list. For non-union or lower-budget shoots, there are plenty of experienced candidates building their credits who can do the job well at a rate that fits a tighter budget.
Typical Rates for a Second AD in Los Angeles
Rates vary based on union status, project type, and budget tier. On DGA-covered productions, Second AD rates are set by the guild agreement and scale with the budget level of the project. On non-union productions, day rates for a Second AD in Los Angeles typically fall in a range that reflects the size and complexity of the shoot. Expect higher rates for features and episodic television than for short films or commercial work. Always confirm whether the rate is for a 10-hour or 12-hour day, and clarify overtime expectations upfront.
Find and Book a Second AD Fast with NeedaCrew
NeedaCrew is built specifically for the US and Canada film and TV industry. Every crew member who joins goes through a verification process, so you are browsing real credits and real experience, not a generic freelancer database. You can post your project, describe your production, and start receiving applications from qualified Second ADs in Los Angeles quickly, without the back-and-forth of cold outreach.
Ready to staff your production? Post your project on NeedaCrew and connect with experienced Second ADs in Los Angeles today.
Are you a Second AD looking for your next gig in LA? Join NeedaCrew as a crew member and get access to productions actively hiring in your market.